
This 
      remake of the 1974 film The Longest Yard, about a team of underdog 
      prison inmates who go head-to-head against their guards in a football 
      game, pits a group of underdog British prison inmates against their guards 
      in a soccer match. 
      Story
      
      
Two 
      decades ago, Burt Reynolds made a mark with The Longest Yard, a not 
      great but entertaining football movie that melded comedy with violence. 
      Mean Machine attempts to do the same, but with far less success. "Mean 
      Machine" is the nickname of Danny Meehan (Vinnie Jones, from Guy Ritchie's
      Lock, Stock and Two Smoking Barrels and Snatch), a onetime 
      soccer star turned reprobate drunk, who fell from grace when he 
      intentionally threw a major international match. After he beats up a 
      couple of cops in a drunken rage, Danny's given a three-year sentence in 
      one of England's toughest prisons. There he meets your standard 
      garden-variety group of inmates: the big-time crook who runs the place, 
      the wise old lifer, the jolly bumbler, the wily con, the grouchy black 
      inmate whose respect must be earned, a sadistic and dishonest lot of 
      jailers--the list goes on. The corrupt prison head (David Hemmings) wants 
      Danny to take charge of the guards' soccer team and get them ready for the 
      upcoming season; knowing that's the wrong side to be on in this lockup, 
      Danny suggests he organize the inmates for a match against the guards. (A 
      footnote: Can ya guess what they dub their team? Yep, Mean Machine). What 
      follows is an all-too-predictable tale in which Danny must win over the 
      prisoners to create a united team, the Mean Machine must succeed by a hair 
      in the Big Match and Danny must travel the road to moral self-improvement.
      Acting
      However much Vinnie Jones is liked for his roles in various Guy Ritchie 
      films, he ought to think about what he can do to break out of the grim, 
      tough-limey bit, especially when he's required to do a little real acting. 
      His Danny is supposed to be something of a thinker, with more going on 
      behind his dour demeanor. Featuring pretty much two expressions throughout 
      the movie, dour and dourer, there's not much to Vinnie's performance. (At 
      least Burt Reynolds had some charisma.) If it feels like we've seen all 
      these guys playing the same characters in other recent movies, it's 
      because we have. Since the idea of doing this remake came from Matthew 
      Vaughn, producer of numerous Ritchie movies, the usual Brit suspects 
      reappear along with Jones: Snatch's Jason Statham as a wild and 
      crazy prisoner-turned-goalie, Lock, Stock and Two Smoking Barrels' 
      Jason Flemyng as the inmate who provides most of the movie's laughs and 
      Lock's Vas Blackwood as Danny's right-hand man. Nobody stands out, 
      nobody steals the show--unless it's Hemmings' silver handlebar-lookin' 
      eyebrows that are so long they seem to reach for the sky in every scene. 
      (Ralph Brown, though, is quite effective as the underhanded head warden.)
      
      Direction
      The problem with this movie, in addition to the clichéd characters, 
      rote story and mediocre performances, is that soccer inherently isn't as 
      violent and interesting to American audiences as our much more familiar 
      sport of football. There's just something about a bunch of massive, 
      glowering linebackers brutally crunching helmets during a scrimmage or 
      taking down a running back in a punishing tackle that you just don't get 
      out of a soccer movie, no matter how aggressive and dramatic you try to 
      make it. Director Barry Skolnick throws in a couple of overly violent 
      moments during the movie to make up for this, but relies on a lot of 
      slo-mo as the players dribble down the field and go for goals during the 
      big showdown between the inmates and the guards. Yawn. Skolnick tried to 
      capture the essence of a Guy Ritchie movie--herky-jerky camerawork, edgy 
      stylistics--but somehow it still feels rote and uninspired. However, the 
      film does give you a terrific sense of the isolation and dank dreariness 
      of prison life (Machine was filmed in one of England's oldest 
      prisons). 
      Bottom Line
      Your typical underdog story with nothing new to offer, Mean Machine 
      falls far short of its predecessor. Why watch the remake? Go watch its 
      predecessor The Longest Yard for the action, rough stuff and 
      macho-guy star power you expect from a sports movie.